“So one day Josef
Mengele goes to take a piss, looks down, and realizes that he is circumsized…”
It was an unusual
setup for my cousin Seymour, lord of cornball humor. Or worse, all those jokes about old people and sex. Or the potty gags he collected and
insisted on sending via email.
When you get a bladder infection, urine trouble. That kind of thing. But he had invited me over to see a
photo that he thought I might be interested in, given my obsession with family
snapshots. So I went and tried to
smile rather than wince my way through his stale routine.
Luckily, a phone call
interrupted his joke and by the time he returned to the living room, he had
forgotten what he was saying, so he took out the photograph and showed it to
me. Here was a snapshot of a very
very compact woman in a patterned dress that touched the ground. She was standing on the street in Vilna
and holding a handbag. She seemed
to have a knowing smile on her face and a rather proud stance as she stopped to
pose for the camera. Yet she cut
an odd figure in there, so small in the doorway, her head a bit large, her arms
so short. Even so, her whole
demeanor was that of a celebrity, a queen of the ghetto street.
“This is an Ovitz,” Seymour said with
pride. “I don’t know which
one. This photo is one of my
prized possessions.”
“Is she related?”
“No. But she visited Vilna once and my
grandfather took this snapshot with his old Rolex.”
I did not want to
use the word dwarf, which sounded cruel to me, so I struggled for a better one.
“Was she a…um…”
“She was a badchen.”
“Oh, that’s tough.”
“What is?”
“Her condition.”
“A badchen,” Seymour
repeated impatiently but without any insight from me. “Where is your history?
“I left it in
Biology,” I explained.
“A badchen is a
jester, a kind of smart Jewish stand-up comic. They do shtick at weddings.”
“You mean they clown
around, like a court jester?” I asked examining the photo. The idea did not seem to fit her at
all.
“No, that’s a letz.”
“Letz? Our people come from Letz.”
“Don’t remind me,” he
said, doing a Groucho Marx with eyebrows and an air cigar. “A badchen doesn’t do stupid; it’s
verbal humor. Intelligent.”
“Like Woody Allen
before the movies,” I offered.
“Her father was
Shimson Ovitz, a great entertainer from the 19th century. He was my grandfather’s teacher.”
“Your grandfather
was one of these…bad…”
“Yes. You can see where my own heightened
sense of humor comes from.”
Public restrooms, I thought,
but said nothing.
“Shimson Ovitz was
famous but even more so because of his children. They were performers in Europe in the 1930s and 1940s and
she was one of them. Singing,
dancing, playing instruments. They
were called the Lilliput Troupe.”
“Were they all…”
“Dwarves, yes. Most of them. And they were very close. They never separated.
They played together, lived together. This bond almost destroyed them but it eventually saved
their lives.”
This was an
intriguing statement but as he said it, he put the photo down in such a
delicate and melancholy way that I hesitated to ask what he meant. But I did anyway. His answer was something I was not
expecting that afternoon on that scratchy couch in Sunnyside, Queens.
“It was all because
of the man who became fascinated with them.”
I knew where this
was going and took a stab: “An impresario who stole all their money.”
“No. A doctor who was obsessed with
genetics. Dr. Joseph Mengele.”
That name again,
like nails on the blackest blackboard.
I may have lost some history along the way but I knew who he was all
right. Mengele...the Angel of
Death at Auschwitz.
“You see, when the
entire troupe was taken to the camp, Mengele picked them out. He was obsessed with heredity, twins,
anomalies. He thought of himself
as some sort of scientist studying genetics. He was nothing of the sort, of course. But here were special test subjects for
him. He set them all aside in
special living quarters with better food.”
“Why?”
“To study them. To do experiments on them. Hideous experiments. But he also saved them. He kept them alive for this purpose and
they stayed together their whole time there…”
Perhaps Seymour
continued on with this point, or maybe he dropped it then and there. I do not know, cannot remember, did not
hear him in any case. A listener
must learn selective deafness as a form of protection. I learned it then. I did not want Dr. Mengele and his evil
in my head. Not then, not
ever. So when I opened my ears
again, the war was over and the Red Army had liberated the camp.
“You see? They all survived,” he was saying. “All of them. They stayed together, gave each other life and hope. They endured as a family.”
Seymour had lost his
own daughter years before in a boating accident. His wife more recently to cancer. He was alone now and I could hear in his voice that the word
family was difficult for him to say.
It lingered like a single note plunked on a broken piano.
“What is it to
survive?” he asked. “How do we do
it? Must we do something, think a
thing, make a decision to?”
I had no answer of
course, but I knew he was not asking me in any case. God maybe, who never explains. Or the universe, which refuses to reply. Or perhaps only that chilly part
of the brain that knows there are no good answers to the best questions.
“What happened to
them after that?” I asked, trying to move on.
I had to ask this
twice because Seymour’s mood had shifted from light to dark like the waning day
outside and it was dimming his thoughts.
“After the war?” he
finally said. “They toured for a
while, I think, then ran a movie theater.
The point is that they survived and in surviving, they won. Not because they were heroic but
because they lived to tell. They
lived. Perhaps only because they
stuck together. They did not let
go. It is a terrible thing to let
go. There is a lesson there.”
Quickly night
settled like a cloak then, heavy and rough. But I still had one question left. I knew the mood was wrong, but still...
“So what is the
punch line?” I asked.
“The punch line?”
“To the joke.”
“What joke?”
“So one day Josef
Mengele goes to take a piss, looks down, and realizes that he is circumsized…”
I quoted.
Seymour looked at me
through crushingly soft eyes.
“That is the punch line.”
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